Chapter 2 - The Fremont Duplex

The black Cayenne Turbo cut through the wet Seattle streets like a shark through dark water. I didn't care about the red lights on Leary Way. I didn't care about the state troopers idling near the Aurora Bridge. When I killed the engine in front of the blue duplex on North 36th, my tires mounted the curb with a sharp thud.
The front door was ajar, exactly as Hazel had promised. A pale slash of interior light cut across the rotting wooden porch.
I didn't knock. I pushed the door open with my shoulder, my hand hovering near my belt.
"Hazel?" I called out.
"In here!"
The entryway smelled of old paper, damp wool, and the distinct, coppery tang of fear. I stepped past a row of neatly lined children's boots—pink rubber rain boots with fading unicorn decals—and walked into the narrow, cluttered dining room that doubled as a drafting studio.
Sloan was lying on the hardwood floor beside an overturned ergonomic chair. Her dark hair, threaded now with silver strands I hadn't anticipated, was splayed across a drift of architectural prints. Her face was the color of skim milk. Her lips had a dangerous, mauve tint at the corners.
And kneeling beside her were two identical little girls in oversized flannel pajamas.
They looked up simultaneously.
If you took my jawline, my stubborn gray-green eyes, and Sloan’s high, aristocratic cheekbones, and pressed them through a prism of pure, unfiltered innocence, you would get Hazel and Iris. They had the same sharp, observant stare that didn't blink when things got difficult—the look of people who had spent their lives watching the world closely to see where the trapdoor was.
"Are you..." Hazel started, her voice catching on a dry sob. She was holding a damp hand towel against Sloan’s forehead.
Before I could answer, the wail of sirens cut through the damp night air outside, bouncing off the brick storefronts of Fremont and rattling the single-pane windows. Headlights swept across the ceiling in long, erratic arcs as an ambulance swung into the driveway, its red-and-white strobes painting the room in flashing pulses.
Paramedics burst through the open door three seconds later, bags swinging, boots pounding the floorboards with military precision.
"Step back, kids. Let us work," the lead paramedic barked, dropping a heavy medical kit beside Sloan's hip. He slapped conductive pads onto her chest with practiced coldness. "V-fib? No, check that. Pulse is thready. Get the oxygen bag."
The room instantly filled with the mechanical rhythm of emergency intervention: the crisp snap of latex gloves, the metallic clatter of tools, the sharp hiss of compressed oxygen.
I didn't move. I stood frozen in the doorway, my hands clenched inside my coat pockets so hard my knuckles ached.
Hazel and Iris backed away slowly, their small shoulders touching. They retreated toward the corner near the bookshelf, their eyes wide and glassy, watching the men in neon jackets work on their mother's body as if they were watching a machine being dismantled by mechanics.
I crossed the room in two strides, kneeling down to their level so my face was inches from theirs.
"Listen to me," I said, my voice dropping into that deep, steady timbre that had calmed terrified investors during market crashes. "Your mother is a fighter. I know her better than anyone. If she says she's going to stay, she stays."
Hazel sniffled, wiping her nose with the sleeve of her flannel top. Her eyes—my eyes—searched my face with an intensity that felt like an X-ray.
"You're Griffin," she whispered.
"Yes."
"Mommy told us about you once."
My heart gave a violent, painful lurch against my ribs. "She did?"
"Only in her sleep," Iris spoke up for the first time. Her voice was slightly higher, clearer. She was holding a small, worn stuffed rabbit missing one glass eye. "When she had the bad dreams. She’d wake up crying and say your name. Then she’d look at our birth certificates and cry harder."
The paramedic shouted across the room, his voice cutting through my internal collapse. "We’ve got a pulse! Sinus rhythm is stabilizing, but it’s weak. She’s going into acute hypertensive crisis with secondary exhaustion. We need to move her to Swedish Cherry Hill right now."
As they lifted Sloan onto the gurney, her head rolled back slightly. For a fraction of a second, her eyelids fluttered open. Her gaze didn't land on the paramedics. It didn't land on the flashing lights outside.
Her dark eyes locked onto mine across the width of the room.
May you like
Her lips moved, forming a single word through an oxygen mask before the darkness pulled her back down.
Griffin.