fiction

Chapter 3 - The Morning of the Robes

The civil courthouse on 5th and Meridian didn't look like the ones on television. There were no marble pillars or soaring cathedral ceilings; instead, it smelled like damp umbrellas, floor wax, and twenty years of municipal despair. The linoleum floors were scuffed into permanent grey maps of the county, and the vending machines in the hallway only accepted dollar bills that hadn't been folded more than once.

We walked through the security metal detectors at 8:45 AM.

My mother wore her only good suit—a navy-blue polyester skirt-and-jacket combination she’d bought at a thrift store in 2018 for a cousin’s funeral. It was slightly too tight across the shoulders, and the hem hung half an inch lower on the left side, but she had pressed the lapels until they were sharp enough to cut paper.

I wore my school uniform: a pleated plaid skirt, a white button-down blouse with the collar ironed flat, and my Mary Jane shoes with the scuffed toes that I’d polished with black shoe polish the night before until they shone like wet asphalt.

The moment we stepped through the heavy oak doors of Courtroom 3B, the air pressure in the room seemed to drop by half.

It wasn't a large room. There were only four rows of wooden benches for the gallery, a high mahogany bench where the judge would sit, and two long tables facing each other like opposing armies across a no-man's-land of grey carpet.

On the right side sat Crestwood Preparatory Academy.

They didn't just look like they belonged in a courtroom; they looked like they owned the building, the land it was built on, and the river three blocks away.

Victor Hale sat upright, his silver hair brushed back into a helmet of professional authority that looked impervious to wind, rain, or moral doubt. He wore a charcoal-grey bespoke suit that probably cost more than our rent for six months, and his gold-rimmed glasses caught the fluorescent light every time he turned his head.

Beside him sat Richard Latham.

Even at nine years old, I knew who Richard Latham was. His face was on billboards all along the interstate, advertising a personal injury and corporate defense firm whose logo was a silver hawk diving toward a field of falling dollar bills. He was sixty years old, tall, lean, and possessed the kind of effortless, aristocratic confidence that came from thirty years of winning settlements against people who couldn't afford a second opinion. He wasn't even looking at a file; he was flicking through messages on a sleek titanium-encased tablet while a junior associate in a sharp blue suit hurriedly organized neat stacks of tabbed binders.

When Hale looked up and saw my mother standing near the back, his mouth twitched into a cold, polite little smirk. He leaned over and whispered something to Latham.

Latham didn't even bother to turn around. He just glanced over his shoulder once, his eyes sweeping over my mother’s cheap polyester suit with the casual, dismissive coldness of a butcher inspecting a bruised flank of beef, before turning back to his tablet.

"Ms. Moore," the bailiff called out, his voice bouncing off the high acoustic tiles. "Case number CV-2026-4412, Moore versus Crestwood Preparatory Academy. Plaintiffs may approach the council table."

My mother’s legs looked like they were made of dry twigs as she walked forward. I stayed right beside her, my fingers hooked firmly into the belt loop of her skirt so she wouldn't drift away.

We reached the left-hand table—the plaintiff’s table—which looked noticeably smaller, lonelier, and dustier than the defense’s fortress of leather-bound folios and shiny aluminum laptops.

We sat down. The chairs were too high for me, so my feet dangled a few inches above the grey carpet, swinging back and forth in a slow, rhythmic arc.

Across the aisle, Richard Latham didn't wait for the judge to enter. He stood up, adjusted his cuffs, and flashed a brilliant, teeth-whitening smile at the empty judge’s bench before turning his attention directly toward us.

"Your Honor," he began, though Judge Miller hadn't even emerged from his chambers yet—the bailiff was still rapping his knuckles against the wooden door. Latham’s voice was rich, resonant, and dripping with theatrical condescension. "Before we begin these proceedings, the defense would like to enter a preliminary motion for immediate dismissal based on lack of standing, failure to state a claim upon which relief can be granted, and—quite frankly—the complete absence of any recognized legal representation on behalf of the plaintiff."

The door behind the bench clicked open.

"All rise for the Honorable Judge Harold Miller," the bailiff shouted.

We all stood. Judge Miller was a man in his late fifties with skin the color of old parchment, a fringe of white hair, and eyes that looked like they had seen every variety of human stupidity and were thoroughly bored by all of them. He climbed the three carpeted steps to his high chair, adjusted a pair of half-moon reading glasses, and dropped a heavy leather binder onto his desk with a dull thud.

"Be seated," he said, his voice a dry rasp.

We sat down.

Latham remained standing, his posture straight as a ramrod, his smile still firmly in place.

"Proceed, Mr. Latham," Judge Miller said without looking up from his papers. "What is your preliminary motion?"

"Thank you, Your Honor," Latham said, stepping forward with the easy grace of a television evangelist. "As the court can plainly see, the plaintiff, Ms. Lydia Moore, has appeared in this chamber today entirely unrepresented by counsel. Despite our office’s repeated attempts to communicate regarding proper legal filing procedures and the statutory limitations of her former employment contract, Ms. Moore has chosen to bypass standard representation. Furthermore, looking at the documentation she submitted pro se—if one can even dignity those coffee-stained scraps of paper with the term 'documentation'—it is clear this is a frivolous, retaliatory action designed solely to harass a respected educational institution."

He paused, letting a low, cultured chuckle roll through the courtroom.

A few people in the gallery—mostly administrative assistants from Crestwood who had been sent down to watch the execution—smiled.

Victor Hale allowed himself a small, dignified nod of agreement.

Judge Miller looked up over his half-moon glasses, his gaze shifting slowly from Latham’s gleaming leather shoes all the way down to where my mother sat, rigid and silent, her hands gripping the edge of the laminate table so tightly her knuckles looked like polished bone.

Then the judge’s eyes shifted sideways.

They landed on me.

I was swinging my legs.

"Ms. Moore," the judge asked calmly, his voice dropping into a register that suggested he was already drafting the dismissal order in his head. "Where is your attorney?"

My mother opened her mouth. She tried to speak, but no sound came out—just a dry, hitching breath that got caught in her throat.

Before she could force the words past her lips, I pulled my chair back, stood up on the seat so I could reach the heavy gooseneck microphone bolted to the center of the table, and leaned forward.

The microphone let out a sharp, metallic screech that rattled the ceiling speakers.

SCREEECH.

The entire courtroom froze.

Richard Latham’s smile vanished instantly, replaced by a look of sharp, irritated confusion as he turned around to see who was making the noise.

I waited until the feedback died away into total, absolute silence.

"I'm her lawyer," I said.

My voice didn't shake. It wasn't loud, but it carried across the varnished oak panels with the crisp, clean precision of a bell tolling in an empty church.

Every face in the room turned toward me at once.

Victor Hale’s mouth dropped open about half an inch.

May you like

The junior associate dropped his tablet onto the defense table with a sharp clatter that sounded like a pistol shot.

And Judge Miller slowly lowered his pen, taking off his glasses to stare at me as if I were a rare species of animal that had just wandered out of the swamp and sat down at the bar.

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